§ Pop songs

* Luke Slater / Stars & Heroes
* Depeche Mode / Photographic
* Orange Juice / Rip it up
* Orange Juice / Satellite City
* Calexico / Crystal Frontier

* Housemartins / Flag Day
* Housemartins / Bow Down
* Smiths / Cemetry Gates
* Smiths / William, It Was Really Nothing
* I Am Kloot / Twist

* David Bowie / Changes
* David Bowie / Modern Love
* The Faint / Posed to Death
* Pizzicato 5 / Regle de jeu
* Stardust / The music sounds better with you

* Rapture / I need your love
* Bloc Party / Banquet
* Jonathan Richman / I Was Dancing in a Lesbian Bar
* Johnny Cash / Daddy sang bass
* Woven Hand / Good Hand

* Subway Sect / Stool Pigeon
* Subway Sect / Ambition
* New Order / 1963
* Arab Strap / Cherubs
* Joy Division / Transmission

* Kim Wilde / Water on Glass
* My Bloody Valentine / Come in Alone
* Air / Sexy Boy
* Daft Punk / Technologic
* Manu Chao / Bongo Bong

* Goblin / Tenebre
* Madonna / Papa Don't Preach
* John Lennon / Oh Yoko
* Josef K / Chance Meeting
* Cats on Fire / Higher Grounds

* Erasure / Ship of Fools
* Erasure / Oh, L'amour
* Erlend Öye / Sheltered Life
* Velvet Underground / White Light White Heat
* Coral / Dreaming of You

* Primal Scream / Slip Inside This House
* [Ingenting] / Punkdrömmar
* Alec Empire / Addicted to You
* Brainpool / Sister C'mon
* Pixies / Wave of Mutilation

* Crash Test Dummies / God shuffled his feet
* Hefner / When the Angels Play Their Drum Machines
* Rough Bunnies / Dance with your Shadow
* Doktor Kosmos / Bredäng Centrum
* Green Day / Basket Case

§ Pop groups

* Smiths
* Housemartins
* Erlend Öye
* David Bowie
* Daft Punk
* Pizzicato 5
* Primal Scream
* Erasure
* Kim Wilde
* Subway Sect

10 bästa filmerna av kvinnliga regissörer

1. Carnages (Gleize)
2. I, You, She, He (Akerman)
3. Anatomy of Hell (Breillat)
4. Meshes of the Afternoon (Deren)
5. India Song (Duras)
6. I andras ögon (Jaoui)
7. Ravenous (Bird)
8. Me and you and everyone we know (July)
9. Virgin Suicides (Coppola)
10. Älskar dig för evigt (Bier)

Världshistoriens 100 intressantaste filmer

Inte de bästa, men de mest intressanta! En film per regissör.

En rundresa i världsrymden (1904, Georges Méliès)
The Mystery of the Leaping Fish (1916, Christy Cabanne, John Emerson)
Intolerance (1916, D W Griffith)
Körkarlen (1921, Victor Sjöström)
Diagonalsymfoni (1924, Viking Eggeling)
Pansarkryssaren Potemkin (1925, Sergei M Eisenstein)
Faust (1926, F W Murnau)
En kvinnas martyrium (1928, Carl Theodor Dreyer)
Mannen med filmkameran (1929, Dziga Vertov)
The Skeleton Dance (1929, Ub Iwerks)
The Mascot (1934, Wladyslaw Starewicz)
Composition in Blue (1935, Oskar Fischinger)
Moderna tider (1936, Charles Chaplin)
Dagen gryr (1939, Marcel Carné)
En sensation (1941, Orson Welles)
Meshes of the Afternoon (1943, Maya Deren)
Le Tempestaire (1947, Jean Epstein)
Cykeltjuven (1948, Vittorio De Sica)
Orphée (1949, Jean Cocteau)
Demonernas port (1950, Akira Kurosawa)
Un chant d'amour (1950, Jean Genet)
Bakushû (1951, Yasujiro Ozu)
Sagor om en blek och mystisk måne efter regnet (1953, Kenji Mizoguchi)
The Burmese Harp (1956, Kon Ichikawa)
Och tranorna flyga (1957, Mikheil Kalatozishvili)
Studie i brott (1958, Alfred Hitchcock)
Dom (1958, Walerian Borowczyk)
Skuggor på Manhattan (1959, John Cassavetes)
Såsom i en spegel (1960, Ingmar Bergman)
Den nakna ön (1960, Kaneto Shindô)
Jules och Jim (1961, François Truffaut)
Terrassen (1962, Chris Marker)
Feber (1962, Michelangelo Antonioni)
Barnvagnen (1963, Bo Widerberg)
8 ½ (1963, Federico Fellini)
Tokstollen (1965, Jean-Luc Godard)
Simon pelarhelgonet (1965, Luis Buñuel)
Repulsion (1965, Roman Polanski)
Apkungen (1965, Wan Laiming)
Tanin no kao (1966, Hiroshi Teshigahara)
Pornografen (1966, Shohei Imamura)
Yûkoku (1966, Yukio Mishima)
Jag är nyfiken - gul (1967, Vilgot Sjöman)
The Alphabet (1968, David Lynch)
The Flat (1968, Jan Svankmajer)
Granatäpplets färg (1968, Sergej Parajanov)
Hatsukoi: Jigoku-hen (1968, Susumu Hani)
Go, Go Second Time Virgin (1969,Koji Wakamatsu)
Dubbelt självmord (1969, Masahiro Shinoda)
Clockwork Orange (1971, Stanley Kubrick)
Female Convict Scorpion: Jailhouse 41 (1972, Shunya Ito)
Aguirre - Guds vrede (1972, Werner Herzog)
Mamman och horan (1973, Jean Eustache)
Den vilda planeten (1973, René Laloux)
Thriller - En grym film (1974, Bo Arne Vibenius)
I, You, She, He (1974, Chantal Akerman)
Vi som älskade varann så mycket (1974, Ettore Scola)
Extreme Private Eros (1974, Kazuo Hara)
Motorsågsmassakern (1974, Tobe Hooper)
India Song (1975, Marguerite Duras)
Im Staub der Sterne (1976, Gottfried Kolditz)
Taxi Driver (1976, Martin Scorsese)
Killer of Sheep (1977, Charles Burnett)
Flykten från helvetet (1977, Dario Argento)
Stalker (1979, Andrej Tarkovskij)
Tron (1982, Steven Lisberger)
Koyaanisqatsi (1983, Godfrey Reggio)
Grass Labyrinth (1983, Shuji Terayama)
Nausicaä of the Valley of the Wind (1984, Hayao Miyazaki)
Z00, liv skönhet död (1985, Peter Greenaway)
Brazil (1985, Terry Gilliam)
Spik-bebis (1987, Max Andersson)
The Dante Quartet (1987, Stan Brakhage)
På en skör tråd (1988, Errol Morris)
Akira (1988, Katsuhiro Otomo)
Dekalogen (1988, Kieslowski)
Begotten (1990, E Elias Merhige)
Kokpunkten (1990, Takeshi Kitano)
Den röda lyktan (1991, Zhang Yimou)
Chungking Express (1994, Wong Kar-wai)
Underground (1995, Emir Kusturica)
Tokyo Fist (1995, Shinya Tsukamoto)
Gummo (1997, Harmony Korine)
Perfect Blue (1997, Satoshi Kon)
The Ring (1998, Hideo Nakata)
Spiral (2000, Higuchinsky)
Isle - Fruktans ö (2000, Kim Ki-duk)
Battle Royale (2000, Kinji Fukasaku)
Sånger från andra våningen (2000, Roy Andersson)
Ichi the Killer (2001, Takashi Miike)
Carnages (2002, Delphine Gleize)
Cremaster 3 (2002, Matthew Barney)
Punch-Drunk Love (2002, Paul Thomas Anderson)
Återkomsten (2003, Andrej Zvjagintsev)
Anatomy of Hell (2003, Catherine Breillat)
Dogville (2003, Lars von Trier)
Cat Soup (2003, Tatsuo Sato)
The Brown Bunny (2003, Vincent Gallo)
Dolt hot (2005, Michael Haneke)
The Wayward Cloud (2005, Tsai Ming-liang)